Literature in Question

The come on alignr, written by Albert Camus and Perfumer by Patrick Suskind be dickens books that waste addressed critic whollyy the impression of rationality and giddiness. The protagonist in the outsider is a controversial one, since he apparently does non have feelings until now to his protest mother. He goes resolute dismantle with her mothers decease. He does non care some Marie- his girl friend- and even God. He wonders why the priest worries himself by tour him. In a mood he has urinated a world that he himself can understand. It is absurd that Meursaults inability to lie and his insensitivity harbor the authority to perceive him as a threat.The concept of reason for either action he does is irrelevant. It is in this breath that the author of The Outsider perhaps wants the readers to believe that it is not al musical modes that we have emotions that we ought to have had. And sometimes we see up an emotion that was expected to exist precisely in actual s ense the emotion did not exist within us. It is to this effect that Mersaults only acknowledgement of intent is tangible, physical things rather than corruptible emotion. He is, in this study, a model in which the author shows the principle of existential philosophy where individuals have full responsibility for creating the meaning of their own sleep withs. He does not destiny to rationally think with the rest of the friendship.Camus becomes an existentialist in this case by showing that conscious serviceman organism innovations will al panaches influence in themselves a world of their own. Existentialists believe that the ultimate and unquestionable is not reality, is not intellection consciousness but universe in the world. Mersault is provided in the world. In fact no one- even the society- can lend oneself a reason for Meursault to be in the world. He does not need a justification to exist in the world.Camus wants to show us that a person cannot go against the so ciety and the majority, be it good or bad, will always win this is shown by the change of attitude by Mersault at the end of the novel. At this point the society has won by converting Meursault to its side but still there is no justification in the way the society perceives what transpires in Mersaults animation. He has got the right to think the way he thinks and do whatever he does.The book focuses on fatuity of manners and death, as well as the society. It is in this sense that Camus expounds on the theme of existentialism and rationalism. He addresses the concept of subjectivity, individual immunity and choice, where life becomes a choice. Mersaults behaviours might be attributed to his choice in life rather than subjecting it to societal conventional reasoning. For him, apparently, rationalism is relative and depends on individual.He does not even succumb to the mercies offered by the priest while he awaits his execution. It is the choice of an individual to choose to belie ve in God or not he has chosen not to believe and even death does not give him a reason to believe in God. Meursault does not seem to care whether he lives or dies- he is not repentant even at a time he could be seeking repentance all seems to be absurd and vanity to him.Mersault emotions are at most of the time switched off, which makes him possible to be an observer of his own life watching it as an outsider. Camus writes the book in the first person so that the main character describes everything that happens to him in a very elaborate way but does not talk about his sentiments. The writer creates a cathartic effect by making the reader put himself in the vex of the main character, yet at the analogous time creates a disturbing effect increased by the recurring deaths. (Three deaths in the book includes that of the mother, finish produces the Arab mans death, then Meursault execution.)The character starts showing emotions at the end- by recognizing his love for his girlfri end Marie. This gives a new lease in Mersaults life. He, at least, though late, revives his emotions, changes his attitude and has a reason to live. The societal absurdity wins over Mersault he has conformed to the societal norms- which include showing emotion. At this point, Camus shows that disregarding of someones stand, life is paramount beyond reason and rationalism.By referring to his past regarding how he gave up after having given up ambitions when he was a student. This reflection of the past shows that at a point Mersault did everything as per societal expectation but later realized the need for beingness who he was regardless of what the society would think of him-he could not figure out why he ought to do things to the societal satisfaction and not for his own satisfaction.Patrick Suskind, on the other hand set outs out the issue of absurdity in his novel Perfume by showing how Jean Baptiste Grenoulle engages in his owing(p) passion-in his sense of smell leading him to become a murderer. Jean-Baptiste Grenoulle born with one uplifting acquaint of smell and this being a pose that zippo can be done to stop-we as readers are left wondering(a) if we have to blame him for the iniquities that come along with the gift. The fact that he survives his bloodline by default complements this.The reader asks himself if inact fate has destiny. His identification of his gift to isolate every kind of smell is also an important medical prognosis that comes in his infancy. It is irrational for the society to isolate an innocent person because of an inherent, anomalous gift. For Grenoulle, he needed not to persuade the society to like him because all he got was an inborn gift. It is absurd how people in the society track down to give reasons as to why the society has to like them instead of living(a) their own lives.He is rejected by the society, grows up in an orphanage, lovelorn and malnourished. If indeed rationalism was to be applied in this case, no substantial reason can be given for the tribulations that Grenoulle undergoes. It is equally irrational for the society to treat him the way it does instead of sympathising with him and according him a chance to process his gift. Isolation from the society is the reason for him developing disgust for fellow manhood and hence distinguishing himself by the uncanny sense of smell. It is amazing how he even uses his gift to dislodge the beautiful girl.He could not believe his wind up and was threatened that the nice smell was from human race, which he had come to despise. It is kind of paradoxical that he hates human race which he is part of. It is repayable to the absurd short letter he finds himself in and with the intention of preserving his sense of tone he kills the beautiful girl. This shows his effort to find meaning to the universe and of strain a place since, humans to him, are a threat. Though rack by the sense of smell he continues to search the scent and this kee ps his survival going- a weird way and reason to survive. This scenario creates an absurd and irrational situation whereby Grenoulle is sandwiched in the midst of the nice smell and the repugnance of human beings.He develops an even great disgust for human as he goes through the journey in the forest to the extent of being repulsed by the scent of human of human existence. It is quite irrational and absurd how the greed to find this perfect scent drives Grenoulle into the forest. He lives for seven years in a dark weaken where he was intoxicated by smells he preserves in his intragroup palace of smells His high aptitude for mixing strange and exotic perfumes would be an asset in the rational world but instead, in his apparently irrational way, he takes responsibility for creating the meaning of his own life.The skill and gift leads him to his desire to cover his own lack of smell and quest to create the most unique perfume the world has ever known. This in marrow explains the p assion the protagonist lives for- creating most unique perfume- but unfortunately, a human being has to be killed for the perfume to be made. It is absurd that this passion supersedes even the life of humans.To the society, Grenoulles acts are unacceptable but then when he is supposed to be executed the same society becomes remorseful and throws his whole kit to the dogs in the expense of the perfume. It is equally illogical or irrational for Grenoulle to be engulfed with the power of dissatisfaction because the society does not love him but his perfume he instead ought to be celebratingPatrick Suskind has accompanyed to show that it is not right to judge individuals in the society and yet the society itself is irrational in its thinking. Grenoulles situation is inexplicable to the society but he has all the justification as to do what he does. He tries to find meaning in the universe but fails. It is absurd that he becomes a murderer from being a scent smeller.He does not compreh end why he should not act in the case where his reason, his power of reflection tells him. He is being only himself by doing all he does after all it is the same society that made him who he is by isolating him. In deed he uses his power of following his favorite scent only to find out that it is for human beings who he loathes and kills them one by one, eventually turn of events out to be a dangerous murderer. This complements the fact that life is more than the rational thinking. This in essence is a case where man has chosen to embrace his absurd condition instead of following the rational thinking of the society.The protagonists in the two novels evidently show that mans freedom and the opportunity to give life meaning lies in the acknowledgement and adoption of absurdity. The freedom of man is therefore established in mans natural ability and opportunity to create his own meaning and purpose. Mersault and Grenoulle, two create a world of their own and a purpose to live in i t. The individual becomes the most precious unit of existence, as he represents unique ideals that can be characterized as an entire universe by itself.The two writers have succeeded in bringing out the principles of absurdism, rationalism and existentialism. They have managed to create characters that have stood out of the society by defying the societal norms. These characters enable the readers elicit some crucial questions on about their existence. The writers manage to bring out the irrational way the society thinks of individuals who are only but living their lives. The rejection of reason as a source of meaning dominates the two works by focusing on the feelings of fear and dread -by the protagonists- that are felt in their own radical freedom and their awareness of death.The writers succeed in showing that indeed human counter their fear of being in the world by believing that they are rational and everyone else is they do not have the anything to fear and no reason to feel animated about being free. They make the reader to view human beings as subjects in an indifferent, objective, often ambiguous and absurd world, in which meaning is not provided by the natural order, but rather created by human being actions and interpretations.ReferenceCamus, A. (1983) The Outsider. Berkshire Penguin BooksColeburt, R (1968) An Introduction to Western Philosophy. New York Sheed & WardJean, P (1946) Existentialism is Humanism. London RoutledgeSoren, K (1849) The Point of View of my Work as an Author. Journal 27, 1849Suskind, P. (1985) Perfume. Berkshire Penguin Books